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Interdisciplinary Artists Create Volume Two of Art Mag Caddisfly Project

The contributions to Caddisfly Project Vol. 02 are every bit as varied as the creations of the magazine s namesake. Yorgos Maraziotis, based in Belgium and Greece, constructed familiar but unsettling sculptures something that looks like an ottoman filled with motor oil, and a wooden bowl with honeybees piled at the bottom. Jodie Lyn-Kee-Chow, an interdisciplinary artist born in Jamaica and based in New York City, contributed photos of several performance pieces. One shows a widow in a cityscape, mantled in black and clutching roses; another depicts a massive quilt as seen from above, with participants seemingly conducting a séance or perhaps just enjoying a picnic.

Superstitions - Connie and Fish Podcast (2-24-21)

Spilled Secrets Shannon s Daughter On Air

I've been here at The Point for about two weeks now and in that time Lou has been trying to introduce me to the audience at the Jersey Shore. I'm born and raised Jersey Girl so chances are I've stood behind you on line to get an ice cream at Jersey Freeze or soaked in the sun at the same beach you did but we just did not know each other yet. Lou thinks that the best way to get to know anyone is to talk to their kids so he went right for the low hanging fruit, my 10 year old daughter Fia.

Sound Judgment

Pay-what-you-can ticketing Plan B Theatre Company Everyone has had to adapt during the pandemic. For playwright Julie Jensen, that meant taking a play that had been written as a profoundly visual stage experience and adapting it so that it could work as an entirely audio performance. Jensen s P.G. Anon opens a unique season for Plan-B Theatre Company, which decided to deal with the ongoing COVID-19 pandemic by transitioning to a full slate of audio dramas. The company had just announced its next season in early 2020, and was beginning to sell season subscriptions, when it became clear that things would definitely not be normal. That was when artistic director Jerry Rapier and managing director Cheryl Ann Cluff began to consider a radical notion based on the company s history of annual radio-drama productions.

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